You know I love film. Just shot my Polaroid 600E yesterday and loved it. Shot the Hassie the week before, and just loaded a roll into my Lomo ‘Sardine’. That said, seeing that damn near everything has (obviously and justly) gone digital, film cameras are dirt cheap. And whether you’re a seasoned pro or an iphone snapper, a good dose of shooting actual film would be good for you. Trust me on this. So that’s why I’ve taken the time to wrangle five great cameras for under $300 that you can use to re-invigorate your film shooting, even if it’s just for a little flirt with nostalgia. … (and I know that there are a lot of sweet cameras OVER $300…i’ve listed a few of my fav’s in the comments. Please share yours there too….)
Canonet QL17 GIII. Image courtesy Wikipedia
This camera, in its heyday, was known as the “poor man’s Leica,” and with darned good reason. The fixed 40mm f/1.7 lens is sharp as all heck, producing images that, with the right film, will produce incredibly crisp negatives. My go-to setup has a 58mm step-down ring on the lens to accomodate a modern Canon lens cap (which is important as these old cameras don’t usually include a lens cap).
The nice thing here? The metering system still works on most copies you can buy today; all you need is a 1.35v battery (Wein Cell makes a nice replacement for the old mercury batts) and you’re good to go. You can shoot in shutter-priority only, and since the metering sensor sits directly above the lens and inside the filter ring, it compensates for ND filters if you use one.
Shot with a Canonet QL17 on Kodak Tri-X. Image © Sohail Mamdani
The best part, though, is the price. Depending on condition, the QL17 GIII can be had for between $75 and $150. Mine cost $110, and is in excellent condition. Make sure you check the seals on the unit you’re buying, however, as these wear out easily and can cause light leaks (but are also easily replaced).
Info:http://en.wikipedia.org/wiki/Canonet_G-III_QL17
Price: $75-$150 depending on condition.
Where to Buy: eBay is your best bet on this.
Nikon F3
Nikon F3 with HP viewfinder. Image courtesy Wikipedia.
Though Canon, Nikon, Pentax, and other manufacturers made excellent SLRs, I like the Nikon F#-series of cameras as, in most cases, they have the most flexible lens mounts. This camera will take just about any Nikon lens made in the last several decades (with the notable exception of “G” lenses, which have no manual aperture ring). Plus it doubles as a hammer or a weapon if you’re in need. These things are tougher than dirt.
The F3 is a manual-focus camera, but has a metering system and allows for aperture-priority metering. It uses 2 SR44 button cells for power, which are easily available. Stick a 50mm f/1.8 lens on this puppy and you’ll be good to go.
Info:http://en.wikipedia.org/wiki/Nikon_F3
Price: About $200 depending on condition.
Where to Buy: KEH.com has some great deals on them. You can get an Excellent-condition body for about $189 and a 50mm f/1.8 lens will set you back about $80.
Medium-Format
Cameras in this category used to cost thousands of dollars — and still do, in some cases. But don’t let that dissuade you from experiencing the joy of holding a 4.5×6 — or larger — negative. Here are two cameras that will let you shoot those big, fat, negatives for an affordable price.
Mamiya C33 TLR
Mamiya C33 Professional. Image courtesy Rémi Kaupp/Wikipedia.
Though its younger sibling, the C330, gets all the attention among Twin Lens Reflex camera afficionados, the C33 is actually a very, very respectable body. Mine has travelled thousands of miles with me as I trek all over the state of California, and has helped me make some of my favorite images.
Bixby Bridge. Delta 100/Mamiya C33. Image © Sohail Mamdani.
It’s also generally cheaper than the C330 (or the more famous Rolleiflex TLR), and has something pretty cool for TLR cameras – the ability to swap lenses. From the wonderfully sharp 80mm f/2.8 that sits on my camera, to a somewhat comically long 250mm f/6.3, these lenses are usually available for around $200.
Info:http://en.wikipedia.org/wiki/Mamiya_C
Price: About $200–300 depending on condition.
Where to Buy: KEH.com had one until just recently for just under $300. Between the lens and camera, expect to spend around that. Mine was an eBay purchase for $187.
Mamiya 645 1000s
Mamiya 645. Image courtesy Wikipedia.
I know – two Mamiya’s in one article – it’s a bit lopsided. Gotta love Hassies, but Mamiya tends to deliver some pretty outstanding quality for the price, and the 645 1000s is no exception. It was built to be used with the ease of a 35mm SLR, and renders a negative 6cm X 4.5cm (hence the 645 moniker). You’ll need to buy three separate pieces for it – the main body, a viewfinder, and a lens. All in all, you can come in with all three for about $250.
The Mamiya 645 is set to take 120-size medium format film, which is the most common form sold today. Top it off with an AE prism (the viewfinder) with a built-in meter and you get aperture-priority operation, with a center-weighted pattern. Using one of these outfits, my friend Andrew Kim has done some outstanding street photography.
Street artist in NYC. Taken with a Mamiya 645. Image courtesy/© Andrew Kim.
Info:http://en.wikipedia.org/wiki/List_of_Mamiya_products#Mamiya_645_manual_focus_series
Price: About $250 depending on condition.
Where to Buy: KEH.com is the place to go for these. They have a lot of them, in varying condition.
Bronica ETR-S
Bronica’s ETRS will look somewhat familiar to Hasselblad owners, in that it’s a simple, modular box. I call this the Hassie Hack. Throw on a viewfinder, lens, and back, and you have a complete system for under $300, depending on condition.
Bronica ETR-Si system. Image courtesy Wikipedia.
Introduced in 1979, the ETR-S will shoot 6×4.5cm film with a standard back, but you can also swap that back out to shoot standard 35 and panoramic 135-format film as well. There’s a wide variety of lenses available for it, both fixed-focal length and a few zooms as well – a rarity at this price range.
Info:http://en.wikipedia.org/wiki/Bronica
Price: About $250 depending on condition.
Where to Buy: KEH.com and eBay.
These are just five of the many options you have when considering a return (or a first-time visit) to the world of film cameras. What are your favorites? Sound off in the comments – you’ll see some more of my favorites there…
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[thx for the research help Sohail!]
Two thumbs up to Canonet!
Nikon FM2n should also be on your list, bro.
Nice article.
As a person who has stuck with Canon because, well, I can’t afford to change all my lenses! I would add a couple of options to the fixed lens one given.
first: The venerable F1. A pro body in every sense of the word, and FD lenses are cheap, cheap, cheap these days. Always wanted that 135 F2.5? Saw one on eBay for $75. A nifty 50 f1.8? The shipping will cost more than the lens. The F1 body itself can also be found for well under $200.
Got a big collection of EOS lenses already? I’ve seen the EOS A2E for under $100 in good shape, and it comes with that wacky eye-control focus system that worked incredibly well for the day. Heck, that alone is worth the price of admission to play with, and you get to slap on your new 70-200 F2.8II too!.
I picked up a mint Elan 7NE last year for under $200. It has that eye focus system, which, yes, works really well. I thought it was just a gimmick, but I find myself using it. And yes, I use the 70-200 2.8 with it. 🙂
I never get a second look when using it … from a few feet away it looks like a standard mid-range Canon DSLR.
I’ll surely go along with Chase on the F3 & Canon. Also Yashica Electro, XA & Olympus infinity,
aka miju-1. Perhaps a bit more than $300, but worth it is the Konica Hexar AF with a sharp fixed
35mm f/2 lens. For MF there are many Fuji RF cameras in 6×4.5, 6×7 & 6×9. I do like the Yashica TLRs.
If buying a Mamiya or Bronica 6×4.5 get the prism finder as a waist level finder only works well in vertical
orientation, because for horizontal shots you’d have to stand sideways to your subject.
ej
Great List!! Thanks for sharing!
Let’s not forget the mighty Canon T90, a camera I own and love. Brutally high tech for its time and to this day still sports a few tricks not seen in modern machines. Specifically its multi spot metering system. Sick thing!! Slow and deliberate, but sick!! Love shooting with it ….